Best of 2015

December 21, 2015

*Note–I will likely be revising and editing this over the next two weeks but these are my top picks for albums, tv shows, movies and comics as of Dec 21, 2015.

Music  (in alphabetical order but bold are my top 10)

Beach House: Depression Cherry/ Count Your Lucky Stars                               Both records Beach House released this year, like 6 months apart, were great. I give a slight edge to Depression Cherry but likely just because I had a few other months to absorb it. The chillest yet captivating music you were apt to hear this year.

Ryan Adams: 1989

Gary Clark Jr. – The Story of Sonny Boy Slim

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Craig Finn: Faith in the Future
I enjoyed but didn’t love Finn’s first solo record. This one I love. Short and sweet with some of the best lyrics he’s ever written–including Hold Steady–but a different style than his band, much more singer-songwriter.

Deerhunter: Fading Frontier

Drive By Truckers: It’s Great to be Alive (live box set)

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Ghost: Melioria ; Lucifer – Lucifer I ; Christian Mistress – To Your Death

These three acts all in their own way brought back the best of ’70s era pre-metal/early metal traditions particularly the occult rock stains of it and made it sound fresh and new. Ghost has been at this bit awhile now and though they’re certainly not for everyone they have made their catchiest most accessible record yet with Meliroria particularly with lead single “Circe”–and who would have ever thought the band would perform on network cable as they did on Colbert’s late show for Halloween? Ghost are kind of the band fundamentalist pastors and parents thought Kiss were but actually weren’t. Ghost, with their anti-pope frontman and “clergy” band are all spectacle and tongue in cheek satanism but with undeniably catchy riffs, vocals and hooks. Lucifer on the other hand, Johanna Sadonis’ new band mines the feel of forgotten Sabbath records (particularly the excellent and underrated Technical Ecstasy), Blue Oyster Cult and a slew of female heavy “witch” rock to make a gem of an album. Christian Mistress, featuring Christine Davis’ excellent vocals and great riff after great riff edge closer to the NWOBHM scene that followed ’70s acts but bridge the gap between the two. All three records sound like classic heavy metal that fans from any metal era can appreciate.

Grave Pleasures: Dream Crash

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Horrendous: Anareta

Horrendous are the best metal act on record right now. Three albums in each excellent and each better than the last. It’s solid OSDM that hits all the highlights of classic DM bands without retreading their ground–instead it mixes in experimental highs, hooks, riffs, atmosphere and an odd sense of joy. Lyrically they find peace in absurdity and I freaking love this album.

Iron Maiden: The Book of Souls

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Jason Isbell: Something More Than Free
This one is tied neck and neck with Sufjan as my album of the year but while I may think Carrie and Lowell is the overall better record, I listened to this one quite a bit more. Isbell may be America’s best working songwriter today. “Children of Children” “24 Frames” and the title track were some of 2015’s best songs. Isbell seems to have found his own space and style in his post DBT career. I hate that those who are now flocking to Isbell aren’t by and large giving the Truckers catalog (other than maybe Jason’s songs therein) much of a go but I always felt Isbell was much more of an accessible artist than Hood though I prefer all things considered Hood and Cooley–I’d actually call them America’s best current songwriters but they don’t seem to have the reach and pop sensibility that Jason does.

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Carly Rae Jespen: Em.ot.ion

Fine, it’s some seriously sugary bubblegum level pop music. Sorry. Carly Rae was my guilty pleasure jam this year and I’m feeling less guilty with each spin because it’s just so much fun. This is some synth style 80s mall pop  filtered by way of indie rock to today’s pop radio hits but better. Carly’s voice fits the earworm hooks so well and I hear M83 in those back-beats.

Talib Kweli: F*** the Money

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Kendrick Lamar: To Pimp a Butterfly

They say for every hip hop fan there’s a shark waiting to be jumped–that eventually mainstream hip hop will leave every fan. I kind of thought this was my time and it may still be but though I enjoyed the heck out of Drake’s “If You’re Reading This…” it wasn’t great art (though it was above average pop). Kendrick’s latest work however is, divisive as it may be and as hipster embraced as it was. By far the best hip hop record of 2015 from one of today’s strongest rappers.

Lucero: Lucero (2015 S/T)

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The Night Flight Orchestra: Skyline Whispers                                         Second only to perhaps Carlie Jae for just sheer fun, Night Flight Orchestra have been described as montage music–every song on the album could easily soundtrack an 80s movie montage. It’s fun, cheesy soaring “dad rock” without trying too hard or over reaching. This isn’t down and dirty Steel Panther style parody, this is much more subtle and unoffensive. Catchy tunes that rock in a throwback manner.

Myrkur: M

Nile: That Which Should Not Be Unearthed

Purity Ring: Another Eternity                                                                          Indie synth pop with a great hip hop undercurrent that actually works. Almost (almost) as catchy as Carly Rae.

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Sufjan Stevens: Carrie and Lowell
This one was probably my favorite record of the year even if not my most listened to. It’s simply a bit heavy and sad to listen to on a daily or even weekly basis but it’s so beautiful. Sufjan’s love letter to his deceased mother in a warts-and-all biographical lyrical narrative is set to some of the most gorgeous arrangements of his impressive career.

Tribulation: Children of Night

Chelsea Wolfe: Abyss

Movies –
alphabetical again but with a disclaimer–I’m sure I’m forgetting some great films I’ve seen and I know that about 5-10 of those I have planned to watch over the next month or two (Star Wars, The Big Short, Bridge of Spies, Hail Caesar, Joy) will also deserve a space on this list.

Far From the Madding Crowd
Relatively simple period piece but so good.

It Follows   The best horror film I’ve seen in five years easily.

Spotlight  – So far my favorite film of the year Great cast, captivating and important story, good on every cinematic level.

Steve Jobs –
I really enjoyed this though I know some didn’t. It’s certainly warts and all and who knows how much liberty Sorkin took to weave his trademark snappy dialogue but it’s a great character piece.

Trainwreck  – Shumer is my favorite (perhaps second to Louis C.K.) working comedian and her team up with Apatow was awesome.

Trumbo –
Sadly this is still a timely tale if we just switched the terms out a bit. Cranston is terrific.

 

TV

The Goldbergs

Homeland

Bosch

The Man in the High Castle

Jessica Jones

Master of None

Blackish

Larry Wilmore Show

Daily Show

The Late Show with Stephen Colbert

Comics

Killing and Dying – Arienne Tomine

Stray Bullets: Sunshine and Roses

Southern Bastards

Harrow County

Ms. Marvel

Nailbiter

The Fade Out

 

 

 

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