My Top Comics of 2016

December 29, 2016

 

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10) Saga

Okay so one one hand I’ve been tempted to call Saga the most over-rated comic in conversation today but..here I am placing it on my list of best 2016 comics. There were a lot of other worthy titles shipping monthly this year that could have slotted here but ultimately Saga takes the spot because of that wide reach and enthusiastic embrace. It’s comics little ambassador, a book to prove to someone on the fence that comics are a viable and exciting medium today (though be careful because some of those gross out closeups are adults only). Brian K. Vaughn’s best work IMO remains Y the Last Man but Saga may become a close second depending on how it all wraps up.

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9) Wonder Woman

Will DC finally make a good movie post-Nolan? Maybe. Maybe. The previews for Wonder Woman look terrific and after losing her job as a global ambassador IRL (don’t get me started), we at least need a good WW comic. Azarello’s run a couple years ago started great and really played up the mythology but then seemed to derail. No one in recent years has really gotten Princess Diana so DC just went back to one of the last scribes to do so and now we have new Greg Rucka Wonder Woman issues, alternating the latest version of her origin story with a new tale month to month. Of the “trinity” this title is by far the best DC is currently doing though King’s take on Batman is not bad.

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8) Stray Bullets

Stray Bullets was one of indie comics most frustrating (and unintentional) cliffhangers in history. 40 issues or so of masterful storytelling and art self-produced by David Lapham and then…who’s in the trunk? Radio silence for a decade or more. Lapham did a few other things (including the also excellent Young Liars for Vertigo which faced the axe too soon and had a rushed ending) and then finally…Stray Bullets came back! He not only wrapped up that original arc and then released the whole series in a giant omnibus but he launched a series of continued stories featuring our favorite doomed miscreants. Each issue stands on it’s own, hits like a fist to the gut, but also ties together for the overall story.

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7) Nailbiter

Joshua Williamson continued his horror-fan homage with 11 or so more issues of Nailbiter this year. We’re still not sure what all lurks in and behind the town where so many serial killers are born but we may be getting closer. Along with a dozen or more siblings Nailbiter cemented Image Comics as the torchbearers of classic Vertigo storytelling.

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6) Archie

Though I read my fair share of Archie digests as a kid, I would never have thought in a million years past the age of 10 that Archie would be a worthy consideration in any “best of” list. Yet somehow the entire Archie line has managed to not only survive the digital age but thrive and evolve without losing the essence of why they worked in the first place. We got not only the almost adults-only zombie action of Afterlife With Archie and the Lovecraftian horror of Sabrina we also got the primary all-ages in-universe Archie line updated for a new generation in a non-pandering way. Mark Waid knows what makes these simple stories work and every issue this year was a blast to read.

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5) Paper Girls

If you watched Stranger Things and enjoyed it you should really check out Paper Girls as it touches the same spots in the nostalgic brain in different ways. Sci-fi, kids on bikes, a big mystery–what’s not to love? Oh and yeah, this is another BKV title and one that, at least this year, I liked better than Saga.

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4) Bitch Planet

In addition to being a great sci-fi story, an excellent commentary on society. a wholly new way of introducing gender studies and feminism, Bitch Planet is also a masterclass in the monthly comic. With the back-matter pieces, the letter column, and the overall presentation of each issue, Bitch Planet is a cover-to-cover joy every time an issue ships. Much like Orange is the New Black these are characters that once never got a fully-developed narrative arc and eye. Yet, in my opinion, Bitch Planet far out-ranks that Netflix original.

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3) Mockingbird

For a newcomer to the medium, writer Chelsea Cain seems to have an uncanny touch for maximizing the art of panel storytelling. Her bread and butter are thriller novels and Mockingbird, her modern take on Bobbi Morse (much more than Hawkeye’s girlfriend) was her first comics project. And it was awesome. Sadly, gamergate style knuckledraggers harassed the hell out of her on Twitter for things like the above cover and ultimately this project either didn’t sell or whatever because a year in and we’re done folks. But both arcs, especially the first, were awesome (5 issues that can be reread in any order to reveal new layers to a comic caper complete with multiple sight gags and Easter eggs!) Light-hearted and fun yet puzzle-box intricate Mockingbird was what comics are all about.

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2) The Vision

Part American Beauty part Watchmen, this doomed crime and family take on suburbia featuring the Avengers’ Vision and his self-fashioned synthetic family was the most outside of the box take on an established superhero of 2016. Tom King is a writer who comes to the field after leaving a career with the CIA (!) and the medium is lucky to have him. The Vision is his strongest work yet.

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1)  Southern Bastards

Jason Aaron gives us a gritty warts and all Gothic take on life in the south, specifically Alabama. His Alabama may be over the top but as a native who spent his formative years there he gets the uniqueness and love-hate ratio right for a gripping take on homecoming. Southern Bastards is never really the story you think it is and I’m not sure where things will end up though I doubt they end up happy this being a true and through noir and all. Latour’s pencils are original and provide a great aesthetic for this story.