Best of 2015

December 21, 2015

*Note–I will likely be revising and editing this over the next two weeks but these are my top picks for albums, tv shows, movies and comics as of Dec 21, 2015.

Music  (in alphabetical order but bold are my top 10)

Beach House: Depression Cherry/ Count Your Lucky Stars                               Both records Beach House released this year, like 6 months apart, were great. I give a slight edge to Depression Cherry but likely just because I had a few other months to absorb it. The chillest yet captivating music you were apt to hear this year.

Ryan Adams: 1989

Gary Clark Jr. – The Story of Sonny Boy Slim

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Craig Finn: Faith in the Future
I enjoyed but didn’t love Finn’s first solo record. This one I love. Short and sweet with some of the best lyrics he’s ever written–including Hold Steady–but a different style than his band, much more singer-songwriter.

Deerhunter: Fading Frontier

Drive By Truckers: It’s Great to be Alive (live box set)

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Ghost: Melioria ; Lucifer – Lucifer I ; Christian Mistress – To Your Death

These three acts all in their own way brought back the best of ’70s era pre-metal/early metal traditions particularly the occult rock stains of it and made it sound fresh and new. Ghost has been at this bit awhile now and though they’re certainly not for everyone they have made their catchiest most accessible record yet with Meliroria particularly with lead single “Circe”–and who would have ever thought the band would perform on network cable as they did on Colbert’s late show for Halloween? Ghost are kind of the band fundamentalist pastors and parents thought Kiss were but actually weren’t. Ghost, with their anti-pope frontman and “clergy” band are all spectacle and tongue in cheek satanism but with undeniably catchy riffs, vocals and hooks. Lucifer on the other hand, Johanna Sadonis’ new band mines the feel of forgotten Sabbath records (particularly the excellent and underrated Technical Ecstasy), Blue Oyster Cult and a slew of female heavy “witch” rock to make a gem of an album. Christian Mistress, featuring Christine Davis’ excellent vocals and great riff after great riff edge closer to the NWOBHM scene that followed ’70s acts but bridge the gap between the two. All three records sound like classic heavy metal that fans from any metal era can appreciate.

Grave Pleasures: Dream Crash

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Horrendous: Anareta

Horrendous are the best metal act on record right now. Three albums in each excellent and each better than the last. It’s solid OSDM that hits all the highlights of classic DM bands without retreading their ground–instead it mixes in experimental highs, hooks, riffs, atmosphere and an odd sense of joy. Lyrically they find peace in absurdity and I freaking love this album.

Iron Maiden: The Book of Souls

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Jason Isbell: Something More Than Free
This one is tied neck and neck with Sufjan as my album of the year but while I may think Carrie and Lowell is the overall better record, I listened to this one quite a bit more. Isbell may be America’s best working songwriter today. “Children of Children” “24 Frames” and the title track were some of 2015’s best songs. Isbell seems to have found his own space and style in his post DBT career. I hate that those who are now flocking to Isbell aren’t by and large giving the Truckers catalog (other than maybe Jason’s songs therein) much of a go but I always felt Isbell was much more of an accessible artist than Hood though I prefer all things considered Hood and Cooley–I’d actually call them America’s best current songwriters but they don’t seem to have the reach and pop sensibility that Jason does.

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Carly Rae Jespen: Em.ot.ion

Fine, it’s some seriously sugary bubblegum level pop music. Sorry. Carly Rae was my guilty pleasure jam this year and I’m feeling less guilty with each spin because it’s just so much fun. This is some synth style 80s mall pop  filtered by way of indie rock to today’s pop radio hits but better. Carly’s voice fits the earworm hooks so well and I hear M83 in those back-beats.

Talib Kweli: F*** the Money

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Kendrick Lamar: To Pimp a Butterfly

They say for every hip hop fan there’s a shark waiting to be jumped–that eventually mainstream hip hop will leave every fan. I kind of thought this was my time and it may still be but though I enjoyed the heck out of Drake’s “If You’re Reading This…” it wasn’t great art (though it was above average pop). Kendrick’s latest work however is, divisive as it may be and as hipster embraced as it was. By far the best hip hop record of 2015 from one of today’s strongest rappers.

Lucero: Lucero (2015 S/T)

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The Night Flight Orchestra: Skyline Whispers                                         Second only to perhaps Carlie Jae for just sheer fun, Night Flight Orchestra have been described as montage music–every song on the album could easily soundtrack an 80s movie montage. It’s fun, cheesy soaring “dad rock” without trying too hard or over reaching. This isn’t down and dirty Steel Panther style parody, this is much more subtle and unoffensive. Catchy tunes that rock in a throwback manner.

Myrkur: M

Nile: That Which Should Not Be Unearthed

Purity Ring: Another Eternity                                                                          Indie synth pop with a great hip hop undercurrent that actually works. Almost (almost) as catchy as Carly Rae.

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Sufjan Stevens: Carrie and Lowell
This one was probably my favorite record of the year even if not my most listened to. It’s simply a bit heavy and sad to listen to on a daily or even weekly basis but it’s so beautiful. Sufjan’s love letter to his deceased mother in a warts-and-all biographical lyrical narrative is set to some of the most gorgeous arrangements of his impressive career.

Tribulation: Children of Night

Chelsea Wolfe: Abyss

Movies –
alphabetical again but with a disclaimer–I’m sure I’m forgetting some great films I’ve seen and I know that about 5-10 of those I have planned to watch over the next month or two (Star Wars, The Big Short, Bridge of Spies, Hail Caesar, Joy) will also deserve a space on this list.

Far From the Madding Crowd
Relatively simple period piece but so good.

It Follows   The best horror film I’ve seen in five years easily.

Spotlight  – So far my favorite film of the year Great cast, captivating and important story, good on every cinematic level.

Steve Jobs –
I really enjoyed this though I know some didn’t. It’s certainly warts and all and who knows how much liberty Sorkin took to weave his trademark snappy dialogue but it’s a great character piece.

Trainwreck  – Shumer is my favorite (perhaps second to Louis C.K.) working comedian and her team up with Apatow was awesome.

Trumbo –
Sadly this is still a timely tale if we just switched the terms out a bit. Cranston is terrific.

 

TV

The Goldbergs

Homeland

Bosch

The Man in the High Castle

Jessica Jones

Master of None

Blackish

Larry Wilmore Show

Daily Show

The Late Show with Stephen Colbert

Comics

Killing and Dying – Arienne Tomine

Stray Bullets: Sunshine and Roses

Southern Bastards

Harrow County

Ms. Marvel

Nailbiter

The Fade Out

 

 

 

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What is morality?

December 7, 2015

“We are not old men. We are not worried about petty morals.” – Keith Richards, 1968

In this series I have been discussing religion and its relation, if any, to morality. I have claimed that morality and religiosity are separate and distinct having no direct correlation on each other. Religion, I have claimed, is equally capable of inspiring the greatest good and the worst evil. Morality is possible within any religious or non-religious worldview. I then discussed  what the true purpose of religion might actually be if it is not the formation and preservation of morality. I determined that in my opinion the true function of religion is community–to form, preserve and perpetuate communities. In all of this discussion I haven’t really elaborated what morality itself is or even determined if it in fact is a “good” itself.

I think it might take a few posts to hammer the issue of morality out so let’s start with a preamble of questions, scenarios and ideas.

Is morality primarily about personal life choices? That is, what you wear, what you eat, what you think, what you say, what you drink, how/who you date, whether you marry, who you sleep with, how you conduct your business, how you spend your money, what you do for entertainment, and overall how you treat your friends, families and neighbors?

Does morality affect (or should affect) your politics–how you vote, how you are involved in your community?

Is morality the same for every person? That is, is every person expected to hold the same morality and if so do you have the right to hold your neighbor to the same moral code as you hold yourself?

Is morality timeless or fluid? That is, can one thing be moral in one time and circumstance and not so in another?

Is morality a human construct? Is morality a sociological invention relative only to the time and place it emerges? Therefore, is morality determined by a group?

Is the concept of “sin” in theism (primarily Christianity) synonymous with “morality”? If not, in what ways is it different and is it applicable to non-Christians or even non-theists?

In current affairs what is the moral choice? For example is it moral to urge for the resettlement of Syrian refugees in the US or is it moral to forbid that on the chance  a terrorist might exploit the process to enter and do harm? Is it moral to urge for gun control and the limit of sales to certain people or the outlaw of sales of certain types of firearms or is it moral to forbid such limitations in the name of personal liberty? Is it moral to urge action on climate change and to work to reduce ones own carbon footprint, to care for the animals, vegetation and waterways of our world or is it moral to forbid any action be taken that may damage the economic lives of individuals who depend on certain ways of life to have their jobs? Is it moral to allow individuals to make their own biological and reproductive choices–when how and if at all to bring a life into this world or is that choice one that the group must make for the individual? If a person has the right to make such choices for themselves is it immoral for one who doesn’t believe in the morality of such a choice themselves to equate those choices with unequivocally immoral acts and  thereby endanger that individual right?

Is war ever moral? If not what responsibility does a moral person have in the face of their country at war?

I’ll leave it at that for now.